“Director Leah Bonvissuto has interpreted Brecht's formalized style of acting—known as gestus, where the actor is supposed to present the "gist" of a character only through a series of rigid gestures—as kabuki-like slapstick... While the devices of Brechtian dramaturgy have been amply garnished (with placards, breaking down the fourth wall, and actors representing objects as well as people), these become, in the deft hands of Bonvissuto and her talented cast, additional sources of camp extravagance instead of heavy-handed propaganda. This production of A Man demonstrates that one may contemplate politics while also bouncing one's head along to the band.” [Off Off Online - Full text here]